• 母亲的皮下

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    科幻片

    菲律賓新銳導演肯尼斯達格丹入選日舞影展和多國奇幻影展的《母侵夢魘》,以二戰尾聲的菲律賓為背景,居住偏遠家庭,因母親病重,家中無糧食,姊弟倆穿越森林去鄰村覓食,意外在廢棄教堂遇見仙女相助,並聽從指示讓蟬爬入母親體內幫治病,母親確實痊癒,但似乎已不是她的母親。影片充滿濃厚菲律賓特色,將在地傳說、宗教信仰、戰爭與殖民歷史,以身體變異與穿腦音景的驚悚手法,融合為一部讓人惴惴不安的暗黑童話。

  • 爸妈不在家

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    剧情片

    家乐(许家乐饰)是个聪明却调皮捣蛋被学校视为头痛份子的小孩,怀孕的母亲(杨雁雁饰)每天在公司和家事两边忙碌分身乏术的情况下,还会接到学校的抱怨电话总是相当无奈,最后只好找来菲律宾女佣泰莉(安吉莉·...

  • 历史的终结

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    剧情片

    菲律宾电影大师拉夫·迪亚兹从陀思妥耶夫斯基的名著《罪与罚》中获得灵感,讲述一个理想幻灭的法律系学生法比安犯下谋杀罪却逍遥法外,被误当成凶手的杰奎恩含冤入狱后,其家庭也随之破碎的故事。与迪亚兹的一系列“慢电影”一样,长达4个多小时的影片由多个长镜头组成,通过冷静客观、不介入主人公情感的平视角度,探讨菲律宾当代知识分子该如何处理沉重的政治遗产、贫富差异加剧如何解决等多个社会议题。入围2013年戛纳电影节一种关注单元,荣登《视与听》杂志2013年度十佳电影第九名。

  • 母亲的皮下

    HD

    恐怖片

    菲律賓新銳導演肯尼斯達格丹入選日舞影展和多國奇幻影展的《母侵夢魘》,以二戰尾聲的菲律賓為背景,居住偏遠家庭,因母親病重,家中無糧食,姊弟倆穿越森林去鄰村覓食,意外在廢棄教堂遇見仙女相助,並聽從指示讓蟬爬入母親體內幫治病,母親確實痊癒,但似乎已不是她的母親。影片充滿濃厚菲律賓特色,將在地傳說、宗教信仰、戰爭與殖民歷史,以身體變異與穿腦音景的驚悚手法,融合為一部讓人惴惴不安的暗黑童話。

  • 生育的世纪 Siglo ng pagluluwal

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    A majestic film in which two stories easily fit. One about a filmmaker who is a little like Diaz himself and wrestles with the completion of his film and with greedy film festival programmers. And one about a religious leader. Also a little like Diaz himself?                                                                    The films of Lav Diaz often tell serious epic stories, but they are still not entirely free from humour and satire. For instance in this film, Diaz takes the mickey out of festival programmers and also sketches a picture of himself that is not entirely free from self-mockery.                                                                    The film has two or three stories (also a film in the film) and one of them focuses on the filmmaker Homer, who very much resembles Lav Diaz himself. The tortured filmmaker wrestles with completing his film. Despite pleas from those around him and from eager programmers, he continues to refuse to regard his film as finished. Alongside the story about a nun in the film on which Homer is working, there’s another story about the religious leader Father Turbico. Turbico leads a sect in the countryside that is primarily made up of young women. When one of the women wants to leave the sect, a dramatic situation ensues.                                                                    By telling the stories in parallel, similarities become visible between Homer’s struggle with cinema and Turbico's struggle with faith.

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