• 萨拉戈萨手稿

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    拿破仑战争时期,一个军官发现的一本旧书上记载着跟他祖父阿方索·范·沃登有关的故事,沃登是瓦龙部队的队长,他要寻找通往莫雷纳的捷径。在小酒馆里,他邂逅了两个伊斯兰公主,她们引诱他,但他醒来却发现自己已身在绞架。他被神秘人拯救,回家家乡之后,等待他的是更惊人的消息……

  • 生命的烙印

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    政府不顾民意反对,执意要将古老宁静的小镇变作一家大型化工厂的所在地,并言如此可以大大增加就业机会。有丰富企业管理经验、对党忠诚的Stefan Bednarz(Franciszek Pieczka)被任命着手这一切。小镇是Bednarz和妻子(Halina Winiarska)的故乡,两人多年前曾因一起事件离开,今Bednarz要妻子同去,被拒。   工厂建成之初,虽有居民抗议政府的暴行,但一切还算顺利。投入生产后,之前居民担忧的环境会日益糟糕等问题凸显,政府与居民的关系开始紧张,Bednarz做中间协调人几近憔悴。而电视台导演(Michal Tarkowski)对工厂的持续关注、助手(Jerzy Stuhr)将居民意见刻意过滤、被迫与当年迫使他和妻子远离故乡的旧敌搭档工作、女儿(Joanna Orzeszkowska)的渐行渐远等事情,则令他慢慢明白自己...

  • 福地1975

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    讲述卡罗尔、莫里斯和马科斯三个好朋友办工厂梦的过程,真实冷静的展示了波兰资本主义初期残酷的社会画卷。

  • 等待方舟

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    Setinanundergrounddungeoninhabitedbybundled,raggedhumanbeings,afterthenuclearholocaust.Thestoryfollowsthewanderingsofaherothroughthesituationsofsurvival.PeoplewaitfortheArktoarriveandrescuethemwhiletheirhabitatfallsapart.Delvingdeepintothedustyandlongabandondedvaultsofb-cinemainsearchoflostgemsalwaysleavesmewithabittersweettaste.Ononehandthediscoveryofunexpectedgemswherenoonewouldthinkthempossibleisarewardingexperience.Ontheotherhandthoughitmakesonewonderhowmanyoftheseremarkablelow-budgetoddities,personalloveaffairsofdirectorsneverquitefamousandnowallbutforgotten,havealmostforeverslippedfrommemory?nanycasewhatwehavehereisalittlepost-apocalypticgemfromPolandthatisreallybetterthanithasanyrightto.ThedystopiannearfutureofO-BI,O-BAfindsagroupofsurvivorsofthenuclearwarthatravagedtheEarthinhabitinganunderworldconcretebunkerandbidingtheirtimeastheywaitforthemysteriousArk,anairshipofsomekindthatwillcomeandsavethem.TheArkprovestobeanelaboratehoax,carefullydesignedtogivehopetothemalnourishedanddesperatedenizensofthebunker,whileinthemeantimethedomethatseparatestheirmiserableexistencefromthenuclearwinteroutsideisslowlycavingin.Whatfirststrikedmeaboutthemovieisthedesignofthebunkerandthedepictionofthesurvivors.Thesurvivorsaregaunt,filthyandterrible-lookingpenitents,dressedinragsandaimlesslywanderingtheneon-lithallsofthebunkerlikeautomatons.Thebunkerisarundown,seedyplace,withbrightneonlightspeeringfromallsidesliketheeyesofmalignantbeasts.Ononehanditisaslightly80’sdepictionofthedystopianfuturebutthemovieneverstoopsdowntoMADMAXcheese.Insteaditcombinesbitingpoliticalsatirewiththebleakoutlookofaworldwithnofuture,blackcomedywithbarbsonapathy,religionandpower.Thesurvivors,forexample,arefedsomekindofflourdroppingfromatubethathoversintheair-lateronwediscoverthefoodsupervisorusesbooksandtheBibleitselfasfillerforthismeagremeal.Therearemanysuchshortsymbolictouches,perhapsnotlife-changingorfaith-restoring,yetplayful,cleverandinspired.Onethingisforsure;O-BI,O-BAisnotyourrun-of-the-millsci-fischlock.Itovercomesitsmodestbudgetwithcreativityandhasgenuineartisticaspirationsbothfromawritinganddirectingperspective.Myopinionisthatitshouldhavebeenfilmedinblackandwhiteinsteadofcolourthough.Thedirectorusesatmosphericlightandshadowtogreateffectanditwouldhaveregisteredevenbetterinstarkblackandwhite.Theblue-greenneonontheotherhandoutstaysitswelcomeafterawhile.Justaminorgripeinanotherwisesolidb-moviewithitsheartsetinalltherightplaces.ImaginealessbleakTHEROAD(CormacMcCarthy)beinginjectedwiththesatireandhumourofDR.STRANGELOVEandyou’regettingthere.Seeitifyoucanfindit.

  • 等待方舟

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    Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.   Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bi...

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